Sunday, July 11, 2010

The Aldrich Contemporary Art Museum - 7/4/2010




This is a unique museum in that none of the exhibits are permanent. I was surprised that we were able to take pictures, the only stipulation was that someone had to be in the shot.


These are some of the exhibits that were going on at the time of our visit.




John Shearer: America (Continued)
June 27, 2010, to January 2, 2011.

This exhibit are pictures taken to tell a story about what is happening in that picture at that moment. most of the pictures are ink jet print on low-tack adhesive vinyl mounted on the wall.










KAWS
June 27, 2010, to January 2, 2011





Brooklyn-based artist and designer Brian Donnelly, a.k.a. KAWS. His artwork includes graffiti writings and street art; graphic, industrial and product design, including limited toy editions and street wear fashion, sketches, drawings, paintings, murals and sculptures.


This is a picture of Jeth next to one of KAWS' creations called the companion.







Rackstraw Downes: Under the Westside Highway
June 27, 2010 to January 2, 2011

I do not have a picture to show of Rackstraw's art works.

He does is paintings on sight as it is happening. He doesn't paint from a picture.
Rackstraw may sketch it first, but he paints oil on canvas while he is at the place that is in the picture.









Gina Ruggeri: Immaterial Landscape
June 27 to August 29, 2010







Gina has unique pictures that she has created. When you talk to different observers they all see the landscape in different ways.


When we visited this museum were not sure if we would like the art works. We did not think that we liked contemporary art, but we enjoyed. I am happy that we went and will most likely go back do to the fact that nothing is permanent in the museum.

This is where the museum used to be in that house which is up the hill from the current museum.



I hope that everyone had as much fun as we did, taking in all art in all the museums and finding that each one has something unique to share.

Yale University Art Gallery - June 27, 2010


After we went to the Yale Center for British, we crossed the street and walked into the Yale University Art Gallery.

Yale University had two exhibits going on at the time of our visit. The first one was Italian Paintings from the Richard L. Feigen Collection. This exhibit is running from May 28 - September 12, 2010. This is a very nice exhibit to see. The exhibit had many great paintings and also the paintings were on several different medians.
The second exhibit was Jane Davis Doggett: Talking Graphics. This exhibit is running from January 26 - July 11, 2010. The graphics move by the way they are looked at.

Unfortunately I can not share pictures of the exhibits, because picture taking was not allowed.

Below are some of the pictures that I was able to take.







This was taken in the Asian Art collection
































Gerald Murphy

American, 1888 - 1964, B.A. 1922

Bibliotheque (Library)
1926

oil on canvas

















Fernand Leger

French, 1881-1955

Elements mecaniques
(Mechanical Elements)

1924

Oil on Canvas








There were many more nice art works to see. I was surprised that art works from the Hudson River School were in storage.

The Yale University Art Gallery had many of the art works in storage during the renovations that are going on. It would be nice to revisit the Art gallery when the construction is complete.

Yale Center for British Art - Sunday June 27




The Yale Center for British Art was a great experience to see and share with the class the beautiful oil paintings that is on display.




Alfred J. Munnings, 1878-1959

Paul Mellon on Dublin

1933. oil on canvas








This painting to the right is by George Stubbs













Samuel Scott, CA 1702 - 1772

Action Off the Cape of Good Hope

Oil on Canvas, CA. 1757

















































These five paintings are by Philip Mercier, 1689-1760. The titles of these paintings are:

The Sense of Sight; The Sense of Smell; The Sense of Taste; The Sense of Sight; The Sense of Smell; and The Sense of Hearing. I will let you decide which title goes with which painting. All the paintings are oil on canvas.

I decided to write about Philip Merceir and you can read about him in my paper below.





My visit to Yale Center for British Art

Jeth and I visited the Yale Center for British Art on June 27, 2010. We arrived at the museum around 12:30 p.m. We found parking a block away from the museum, on the New Haven Green. The museum was quit and not too many visitors. The lady in the front desk was very friendly and she gave us pamphlets about the history of the museum and the on going exhibits. Admission is free and you can take pictures at the 4th floor because that’s where the permanent collections are located. This museum is located in 1080 Chapel Street, New Haven, Connecticut right across the Yale University Art Gallery.

This museum was opened in 1977 and presented to the university by Paul Mellon, a Yale graduate of 1929. This museum is also a research institute for study of British art and culture. My wife and I really like the architecture and design of this building. The sky lit rooms and spacious space provide a nice environment while looking the paintings. What I liked most about the museum was that the floor plan was open and had a few rooms off the main gallery. This made it easy to navigate through the museum and see all the galleries and exhibits. This building is a masterpiece of modern architecture, was designed by American architect Louis I. Kahn. This is Kahn’s final work and was completed after his death in 1974 by the firm Pellechia and Meyers. Kahn was a gifted artist and his architecture was famous for its simple geometric forms with the use of natural lights and materials. In 2005, the Center received the Twenty-five Year Award from the American Institute of Architects. This award honors architectural landmarks that plays a significant role in American life and architecture and have stood over time.

The Yale Center for British Art had two exhibits going on at the time of our visit. The first one that we saw was the Art For All: British Posters For Transport which is running from May 27 – August 15, 2010. This museum serves for the opening venue for this exhibit. The exhibit has more than one hundred posters that were designed for the Underground and the British railways. These posters were nice to observe and take in about historic sight stops along the British railway system. The posters’ also depict the advertisements of the time and British propaganda. I always enjoyed viewing items that depict were happening in the past. The second exhibit was Seeing Double: Portraits, Copies, and Exhibitions in 1820s London. These paintings were done by John Scarlett Davis. In Davis’ art works he had copies of other persons art works inside his paintings, portraits and copies. One of his paintings is the Interior of the British Institution. The painting seems to provide a record of how the British Institution appeared in the 1820s. The painting itself is a pictorial of the gallery itself, showing replicas of the paintings that were on exhibit inside his own painting. There was a third exhibit going on also, this was Structured Elegance: Bookbinders and Jewelry by Romilly Saumarez Smith. The exhibit was being displayed from June 24 – September 19, 2010. This was a unique display, but it was not something that interested me or Jeth.

This Center houses the most comprehensive collection of British art outside United Kingdom. They have a large collection of oil paintings.

The museum had so many beautiful oil paintings, but the ones that caught my eye were the five paintings of the five senses by Philip Mercier and he is the artist that I am writing about. Each painting depicts one of the five senses; hearing, seeing, touch, smell and taste. Philip Mercier was born in Berlin in 1689 and died in London 1760. Philip trained under Antoine Pesne, a French born artist, from 1711. Philip traveled to Italy and France going over the works of Watteau. Philip settled in England in 1715. He started painting for courtiers at the Hanoverian Court. He later became Frederick, Prince of Wales principle painter from 1729 – 1736, where he produced conversation pieces and portraits. He left London in 1736, but returned a year later when he fell out of good graces. When he returned in 1737, his focused was story line paintings and he was influenced by Chardon. In 1739 he moved to York for 12 years, which proved to be his most productive years. He made visits to Ireland in 1747, Scotland in 1750 and Portugal in 1751-1752 receiving English merchants’ portrait commissions. He exhibited three works at the first summer exhibition at the Royal Academy in 1760. He passed away later on that year.

References:

http://ycba.yale.edu/information/index.html

http://www.artnet.com/artist/22615/philip-mercier.html

http://en.wikipedia.org/wiki/Philip_Mercier







Monday, July 5, 2010

The Metropolitan Museum of Art - June 19th






Thomas Hart Benton, American 1889-1975

July Hay, 1943

Egg tempera, methyl cellulose, and oil on Masonite

If you would like to know more about Thomas Hart Benton, please read my paper on The New Britain Museum of American Art.





Arthur Segal, Romanian 1875-1944

Strasse auf Helgoland II, 1924

Oil on board with painted frame

I took a picture of the painting, because of the different shapes and colors that look like shadows.





The Met has everything you could amagin to see. It starts with ancient art and goes through all the diffent periods to today's modern art.

































The Temple of Dendur (1978), an Egyptian monument (ca. 15 B.C.) that was given to the United States by Egypt























Man with a Lollipop

Mougins, August 20, 1958

Oil on paper, mounted on canvas

Picasso


this could be a conversation piece.



Woman and Musketeer

Mougins (Notre-Dame-de-Vie), February 22-March 1, 1967

Oil on Canvas

signed in upper left Picasso


The unique thing about art at least for me is that the more you look at it, the more you appreciate it.

I did not care for Picasso's work at the Wadsworth. Once viewing his collection at the Met, I do appreciate Picasso's work.

In my paper on the Met, I will write about Picasso



My visit to the Metropolitan Museum of Art


My wife Jeth and I visited the Metropolitan Museum of Art on June 19, 2010. We first stopped at our Aunt and Uncle’s home in Queens for an early lunch. Once lunch was over our relatives offered us a ride to the museum and pick us up once we were finished looking at the art works. We were so thankful to them because we did not have to worry about the parking and driving into the city. We arrived at the Met between 1:00 and 1:30pm.

Upon our arrival, we took some pictures outside the building and were surprised that there were a lot of people sitting on the steps in front of the Met listening to music performed by group of people for tips. Also, on the sidewalk leading up to the Met there were vendors selling some portraits and items about the museum. I was fascinated about the architecture of the building and how big this museum is compared to the ones I already visited and also the amount of people visiting the museum from around the world.

As we entered the building, there are several guards to check on your belongings. We proceeded to the cashier and paid the admission fee of $ 20 for Adults and $10 for students. Then I went to pay and she said pay what you wish, so we gave a $20 dollar donation. This part of the building is called the Great Hall. This is very high ceiling and the design is very beautiful.

This museum is often called by New Yorkers as the MET. This was founded in 1870 by a group of American citizens who wanted to create a museum that will bring art to every person in America. This museum is one of the world’s largest and finest art museums. In 1880, the museum moved to its current location in Central Park along 5th Avenue (from 80th to 84th streets). The original gothic-revival-style building has been expanded in size and a lot of additions surrounded the original structure of the building. In 1926, the present structure along 5th Avenue was completed. By 1971, a comprehensive architectural plan was approved and the construction was completed by 1991. The Architects for this project were Kevin Roche John Dinkelou and Associates. The additions to the museum as part of the master plan are: The Robert Lehman Wing which houses the vast collection of old masters, Impressionist and post-impressionist; The Temple of Dendur; The American Wing; The Michael C. Rockefeller Wing; The Lila Acheson Wallace Wing which house Modern Art and the Henry R. Kravis Wing which houses European sculptors and decorative art.

The museum collections include more than two million works of Art from pre-history to the present and from around the world. Now, I know why this is one of the must see museum with the course because you will learn and grasp art from every form and shapes in this museum. There are 17 Curatorial departments at the MET and to see and learn the whole collections; it will take ten full days. This is according to a documentary DVD we bought at MET about the MET. When watching the DVD, we realized that we missed some exhibits. This gives us reasons to revisit the MET, not that we need a reason.

Jeth and I checked and there were no tours available at that time so we got our map and start navigating the museum. This was very challenging because the museum is very crowded and we wanted to see as many galleries as we can, even with the map it was difficult to navigate. There were smaller galleries (rooms) inside the main gallery and it seemed to us to be set up like a maze. Our first stop was Greek and Roman Art galleries. There were vast collections of bases, jewelries and sculptures and this were it is know to be where western art received its routes. It took us 2 hours to finish this gallery.

Then we proceeded to Arts of Africa, Oceania and the Americas. Here we saw wood sculptures, an example was a canoe that was carved and was only used for spiritual offerings. This canoe was not used to carry people. There was also objects from Pacific islands and from the Americas; clothing from the Eskimos (dress parka) that was worn on for special occasions and rituals and stone sculptures from Mexico. One exhibit was the Kwoma Ceiling. The ceiling is made up of many works of art. These ceilings are used as ceremonial houses. The Kwoma people live in New Guinea.

One amazing exhibit or wing, because this is a permanent part of the museum, which is a must see, is the Temple of Dendur. This exhibit that the Met put together was a gift from Egypt. The temple was moved from Egypt to New York. It is amazing to look at and when you look at the stones of the temple graffiti started back as early as the 1800s or even before. People have written their names on the stones with dates.

Two exhibitions at the Met that were happening during our visit were American Woman: Fashioning a National Identity. This depicts the developing American woman from the 1890’s to the 1940’s and how this affects the way they are seen today. This also depicts on the movement of the American movement in their social, political and sexual liberation. Unfortunately we missed this exhibit and I am sure that would be another must see and the exhibit runs from May 5 – August15, 2010. If the opportunity arises we will go back to see this one. The second exhibit is Picasso in The Metropolitan Museum of Art. This exhibit runs from April 27 – August 15, 2010. This exhibit shows only works of Pablo Picasso (Spanish, 1881-1973). It features over 300 works including paintings, drawings, sculptures and ceramics by Picasso. This is a definitely must see exhibit.

It is humorous, that when I saw Picasso at the Wadsworth, I did not care for his art work. Once I saw the collection of Picasso, I can appreciate his art work. This is why I chose to write about Picasso. Picasso was born in October 25, 1881 in Malaga Spain. He died in France, in April 1973. In his lifetime he created more than 22,000 works of art. His works covered a variety of mediums, including sculptures, ceramics, mosaics, stage design and graphic arts. At the age of 15, Picasso was taking advanced classes at the Royal Academy of Art in Barcelona. Picasso’s art works is classified in different periods. The blue period was 1901-1904 were must of the paintings were done in tones of blue and depicted the world of the poor. 1905-1906 was considered to be the “rose period” where his art works depicted characters of circus life. In 1907 he started painting in more abstract and the beginning stages of what later became cubinism and in 1912 his forms became larger and more represent cubinism. Later in his life he turned to fantasy and comic invention. He worked mainly in sculpture, ceramics and in graphic arts producing thousands of drawings, illustrations and stage designs. When you get a chance to see Picasso’s accomplishments you have to admire his artworks.

I could go on and on of all the amazing items to see in all the wings, rooms and galleries that hold different art works, sculptures, jewelry, antique furniture, Period Rooms, musical instruments. The Met is a must see museum. Once you have thought that use visited everything, I recommend that you buy the DVD about the met and you will be surprised at how much you missed, we were.

Reference:

http://www.picasso.com/life/index.php

http://www.ny.com/museums/MET.html

http://www.metmuseum.org